From his early architectural works - staircases, balconies and banisters - located in impossible settings, by way of his optical floors that dissolve the limits of space and time, to his dramatic, theatrical installations involving groups of human figures that evoke the solitude of the individual in society, Muñoz’s works play with the spectator, enticing him into relating to them, even awaking feelings of unease and isolation. Muñoz described himself as “a narrator”, and his ability to propose new forms of contemplation and thought, to create tension between the illusory and the real, made him one of the few artists capable of renewing contemporary sculpture.
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